288 posts tagged “uk”
In the new movie Harry Brown, Michael Caine (you may remember him from Return to the Poseidon Adventure, The Swarm, Jaws 3-D, The Hand and a couple of other movies) is a retired Marine who gives a bunch of yobs on a housing estate what they deserve after a mate of his is killed. The smart-arse at The Times thinks they should have killed him off, probably because Times readers would have preferred he prevailed if he talked like he did in Zulu. Me: I like a bit of escapism and this sounds like a modern-day Death Wish. (Pity that by the time Sir Maurice got to work with Michael Winner, the director had lost his marbles and they made Bullesye.) Go Michael! Blow them bloody doors off!
Can someone please explain this first paragraph on the Think Spain site?
Clocks go back an hour this weekend, in the early hours of Sunday morning, as Europe says goodbye to British Summer Time and adopts daylight saving time (Greenwich Mean Time).
This makes no sense.
1. Only the UK is on British Summer Time in Europe, I thought.
2. British Summer Time and daylight saving time are the same thing, aren’t they?
3. Daylight saving time and Greenwich Mean Time are not the same thing.
Or has the usage of these terms changed since I learned them?
The largest car maker in the land was effectively nationalized. It then killed more brands and product lines, even ones that could have survived.
Chrysler, hanging on to unloved mainstream sedans such as the Avenger, was in a deep crisis and needed a European manufacturer to take over its operations.
Ford, resisting the urge to go cap in hand to the government, stayed its course and solidified its market share, despite its own union troubles. It managed to shore things up and grow from there.
USA 2009? No, UK in the 1970s.
This is not a political post—it’s just pointing out how history repeats itself. I also have a funny feeling the US scenario will play out the same way as the UK one did.
British Leyland was broken up further and its “volume” operations—despite making fewer cars than London Taxis International—are owned by the Chinese state.
Chrysler UK no longer exists. Its plants wound up making Peugeots.
Ford UK might not be as strong today as in the 1980s, but it still has a good market share.
There are numerous clips of Little Britain Down Under on YouTube, but David and Matt meeting Dame Edna has to be a highlight (from 3.28).
The stories are different enough that one could not accuse the Hong Kong film-makers of outright copying, but there is clear inspiration between the English Ooh, You Are Awful (or Get Charlie Tully), starring Dick Emery, and the first of the successful franchise 最佳拍檔 (Aces Go Places). The films are 10 years apart.
The plot lines are similar: in the original, Emery has to find a Swiss bank account number, separately tattooed on four different girls’ behinds. In the later film, Sam Hui (the father of Canto-pop) and Karl Maka’s characters have to find a map reference, tattooed on two different girls’ behinds. The following is of two very similar scenes, one set at Waterloo Station in London, the other at a taxi company’s radio department, and subsequent scenes involving photographic booths, where one might be able to claim there was a fair amount of direct copying. Emery is more blue, while the later film is more slapstick with better pacing.
And yes, that is the lovely Cheryl Kennedy in the first clip.
In the 1970s and 1980s, it was highly unlikely for Hong Kong cinemagoers to have seen the Emery film.
Head to 2.45 for the above scene in the first video; 0.43 in the second clip.
I’m having a hard time envisaging the New Zealand version of The Apprentice.
I rather like the UK version of the show (above). Sir Alan Sugar gives a very different style to Donald Trump, and I hope we Kiwis will give our own take.
The issue I have with the American edition is that the tasks are somewhere between seventh form and first-year uni in terms of complexity, yet egomaniacs who are not used to getting on with one another fail dismally at them. (This is me generalizing and I specifically exclude at least one friend who has been on this show. And I imagine I have just stated the formula behind the programmes.) All these years, I felt smug about how much better Kiwis—who celebrate teamwork more than individuality—would do given the tasks.
Now my fears are coming to the surface for one reason: what if we suck just as badly? What if the folks who go on the show are picked because of some level of narcissism and the esprit de corps that Kiwis have as a default behaviour takes a back seat? And then, to make it worse, first-year B-school students think that being an uncooperative moron is de rigueur in the business world?
And providing these guys are not hired for more than 90 days, I suppose the Kiwi Don will be able to say, ‘You’re fired,’ instead of, ‘We need to go into a consultation regarding your dismissal while you have a right to lodge a complaint with the Employment Tribunal,’ or whatever crap we are supposed to say as bosses.
So, who will be our Donald? Thérèsa Gattung? C. Rankin? My former economics’ classmate Sir Bob Jones?
My friend David suggested that Rob Muldoon, if he were not dead, would have been perfect for the role.
We effectively need a rich guy who is cutting, and chances are the producers will want a white male as well. When I go through the potentials in my mind, there’s not a single person I am afraid of, or think, ‘I would feel intimidated in a meeting with him.’
One of the few rich guys I admire in this country is Peter Jackson, but I can’t see him being enough of an ass to front this sort of show.
Any former All Blacks at the top of the financial tree who could at least intimidate a few young Kiwis? Someone who can deliver some politically incorrect comments (which comes back to Sir Bob)? Or a big McDonald’s franchise holder who can assign losers to work on the chips with the phrase, ‘You’re fried’?
This post was cross-posted, if you prefer not to sign up to Vox to comment.
I stumbled across this TVC by accident. It was Norwich Union renaming itself Aviva late last year, and features Bruce Willis, Elle Macpherson, Alice Cooper and Ringo Starr. The idea was that each of these celebrities changed their name before they became famous.
I am not sure if the first two qualify: the first was born Walter Bruce Willis and from what I can tell, was just known as Bruce. I’ve a few friends in the same boat, where their families called them by their middle names. Elle Macpherson might have been Eleanor Gow, but Elle is a reasonable shortening of Eleanor, and Macpherson was her stepfather’s surname.
Alice Cooper was indeed Vincent Furnier and Ringo Starr was Richard Starkey.
I imagine Elton John, Cliff Richard and Michael Caine weren’t available.
Chambers & Partners did a few opening titles to ITC shows and TV movies in the 1960s and 1970s. There was the original Randall & Hopkirk (Deceased) (the remake employed Tomato, which also did a great job), but I really love this one for Department S. It shows what a difference design can make, and Chambers had a nice, modernist approach here. The Century Expanded Bold type suits the style of the series, and the titles have aged rather better than Peter Wyngarde’s hairstyle.
This was an interesting, but hardly scientific, test by the Autocar team. Most British motoring television seems heavily influenced by Top Gear (I mean the one that was originally cancelled, rather than the revised show) and the lack of a true process here is due to that. However, I enjoyed watching it and certainly did not dislike it to the extent of some of the viewers on YouTube.
For our American friends who might not know what Chris Tarrant looks or sounds like in the 21st century, ITV (presumably, as the eventual successor to ATV and Carlton) did a Tiswas reunion special a few years ago. I found this part on YouTube, and it includes a very politically incorrect rant against the French by Michael Palin toward the end.