590 posts tagged “tv”
I had a moan about this yesterday on Twitter and Facebook, but seeing another ad for Leverage on the NZ City site brings it all back. Prime is promoting this TNT show a lot, but just as with TV One and Jekyll, they miss the fact that lead actress Gina Bellman is a Kiwi. Come on, folks, how about a bit of national pride? Our Gina is doing well!
I think Vox might be back. I clicked ‘Create’ and the compose box came up instantly.
How’s this for a sparring match? The Renault Sport Mégane versus the Ford Focus RS. The Renault has a 50 bhp deficit but still manages to keep up on the corners. No surprises which car I was rooting for.
Go back one year and this was how Tom Beck was promoted in his first season of Alarm für Cobra 11: die Autobahnpolizei. There were a few episodes I didn’t see, judging by this RTL promo.
I saw a bit of this on telly, but didn’t expect it to be passed around the internet as much. Background: ‘Safer communities together’ is the local slogan for the police, much like ‘To protect and serve’ for some American police departments.
I somehow think there are fewer big car stunts tonight on Alarm für Cobra 11: die Autobahnpolizei. At 8.15 p.m. on RTL. Looks more like an episode of Water Rats.
There are numerous clips of Little Britain Down Under on YouTube, but David and Matt meeting Dame Edna has to be a highlight (from 3.28).
The makers of Alarm für Cobra 11: die Autobahnpolizei have a good relationship with many of the local car manufacturers. BMW débuted its X1 on the show, before it even appeared at the IAA (Frankfurt Motor Show), and since it is filmed in Nordrhein-Westfalen, Ford Köln is in the area. So, is this a Ford prototype? It looks like a stripped-down version of next year’s S-Max.
Now that I’ve figured out how to watch these on the RTL site, I am very much looking forward to this week’s instalment of Alarm für Cobra 11: die Autobahnpolizei.
Following on from an earlier post about opening titles, here’s a quick examination of how things change when shows are remade.
First up, Randall & Hopkirk (Deceased), with the original titles by Chambers & Partners and music by Edwin Astley:
Fast forward to 2000, the show was remade with Reeves and Mortimer. Titles now by Tomato, the hot firm at the time, with music by David Arnold (Stargate, The Stepford Wives, and the recent Bond films). Head to 2.40 to skip the opening titles; one YouTube commenter recommends going to 4.11 to see Bob Mortimer as Adolf Hitler. (And Doctor Who fans, that is David Tennant guest-starring, with his normal Scottish accent.)
Let’s cross Stateside, for Fantasy Island in 1978:
Twenty years later, it was remade, and this is one of those times when I thought the later show, being much darker, was superior. Viewers disagreed. Malcolm McDowell starred as Mr Roarke this time out. Head to 1.41 to skip the pre-title sequence (with Lauren Holly as guest star). The principle of the plane heading there remains the same, but there is no sequence with Tattoo ringing a bell (it was, however, spoofed in the pilot with a scene featuring Louis Lombardi, and again in this episode with Edward Hibbert).
Not much of a lesson here—the above simply illustrate that remakes can either take the original and go on a nostalgia fest, adapt the original for modern audiences, or take a complete departure altogether. It seems to depend on how iconic the original was and how important the title was to the programme.
It will be interesting to see which tack The Prisoner takes.
I’m having a hard time envisaging the New Zealand version of The Apprentice.
I rather like the UK version of the show (above). Sir Alan Sugar gives a very different style to Donald Trump, and I hope we Kiwis will give our own take.
The issue I have with the American edition is that the tasks are somewhere between seventh form and first-year uni in terms of complexity, yet egomaniacs who are not used to getting on with one another fail dismally at them. (This is me generalizing and I specifically exclude at least one friend who has been on this show. And I imagine I have just stated the formula behind the programmes.) All these years, I felt smug about how much better Kiwis—who celebrate teamwork more than individuality—would do given the tasks.
Now my fears are coming to the surface for one reason: what if we suck just as badly? What if the folks who go on the show are picked because of some level of narcissism and the esprit de corps that Kiwis have as a default behaviour takes a back seat? And then, to make it worse, first-year B-school students think that being an uncooperative moron is de rigueur in the business world?
And providing these guys are not hired for more than 90 days, I suppose the Kiwi Don will be able to say, ‘You’re fired,’ instead of, ‘We need to go into a consultation regarding your dismissal while you have a right to lodge a complaint with the Employment Tribunal,’ or whatever crap we are supposed to say as bosses.
So, who will be our Donald? Thérèsa Gattung? C. Rankin? My former economics’ classmate Sir Bob Jones?
My friend David suggested that Rob Muldoon, if he were not dead, would have been perfect for the role.
We effectively need a rich guy who is cutting, and chances are the producers will want a white male as well. When I go through the potentials in my mind, there’s not a single person I am afraid of, or think, ‘I would feel intimidated in a meeting with him.’
One of the few rich guys I admire in this country is Peter Jackson, but I can’t see him being enough of an ass to front this sort of show.
Any former All Blacks at the top of the financial tree who could at least intimidate a few young Kiwis? Someone who can deliver some politically incorrect comments (which comes back to Sir Bob)? Or a big McDonald’s franchise holder who can assign losers to work on the chips with the phrase, ‘You’re fried’?
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