6 posts tagged “outrageous fortune”

The Independent on Sunday has a good article on American remakes of British shows, though I should add that Britain has had its share of remaking others’. Anyone remember how Married with Children (Married for Life) and Who’s the Boss? (The Upper Hand) did not translate that well in the UK?
   Ready for the American treatment are:

ABC
Life on Mars

CBS
The Eleventh Hour (prod. Jerry Bruckheimer, starring British actor Rufus Sewell)
Worst Week (based on The Worst Week of My Life)

NBC
Top Gear
Gavin and Stacey

Big screen
State of Play (to star Helen Mirren, Russell Crowe and Ben Affleck)

Also coming
The Vicar of Dibley
Footballers’ Wives

   Don’t forget the Americans are also redoing Opportunity Knocks with Ashton Kutcher, though the concept sounds a little different from the original, Kath & Kim from Australia and Good Behavior (née Outrageous Fortune) from New Zealand (already remade in the UK as Honest with Amanda Redman).
   They join The Office, which of course has been a big hit in the US and perhaps led the way with this current crop, long enough for people to have forgotten Cracker with the late Robert Pastorelli. And, of course, American Idol and America’s Got Talent are rehashes of British shows.
   Once upon a time there were many versions of Popstars, which originated in New Zealand. Pity we now license New Zealand Idol, Stars in Their Eyes and Strictly Come Dancing. At least when the Americans remake things, they generally pick better source material.

I’m not even that huge a fan of Kath & Kim but I find the US remake news interesting. The two lead characters will still be Kath and Kim Day, but there will be no Sharon, Kel or Brett! Yes, they are being Americanized to Heather, Phil and Craig!
   I am keeping an open mind but just as I can’t visualize this set in the US, I can’t see Sharon called Heather!
   Official site is now up with very little content: http://www.nbc.com/Primetime/Kath_and_Kim/index.shtml.
   I’m wondering what sort of American accent would equate to Melbournian suburban—and no one I know in Melbourne talks like Kath and Kim anyway!

   Meanwhile, I understand that Outrageous Fortune already has a UK remake (Honest, with Amanda Redman) and that the US version approached Rene Russo for the Robyn Malcolm role, but IMDB says it has gone to Catherine O’Hara. I was wrong about the name: Throng reports it is to be called Good Behavior and IMDB confirms this.

Isn’t it far too early to be nostalgic for a Beverly Hills, 90210 revival?
   American networks don’t think so: it’s back in the (northern) autumn, called 90210 and produced by Rob Thomas (who’s also doing the US version of Outrageous Fortune, called Outrageous Behavior).
   More at Canada.com.
   Normally revivals take some 20 years though they seem to come around the time of Hollywood writers’ strikes.
   And will fans of the old watch the new if it doesn’t have returning stars? That would be like Grease 2 not having Olivia Newton-John and John Travolta.

First there was Kath & Kim, the US version, for NBC. Now, ABC brings you … from the maker of Veronica Mars … the American version of Outrageous Fortune!
   I can see OF work in the US though no doubt the hard-out Kiwi fans of the show will join all the Brits (who have had their fair share of American remakes), and moan. We will say what an inferior version the American one is and how it misses all our Newzild subtexts.
   The American Outrageous Fortune will join the American Life on Mars and the American Kath & Kim on American TV screens this autumn, I mean the American version of autumn, which is called fall. 
   We are certainly not immune from taking someone else’s concept and running with it, what with the New Zealand version of two British shows, Strictly Come Dancing and Pop Idol, and a Danish show that is now called Sensing Murder here. It’s only notable because aside from Popstars, New Zealand shows have not made it hugely overseas in licensed format.
   And the Dutch can get angry about the British versions of some of their shows like Big Brother and The Generation Game.
   Actually, I welcome our trans-Pacific transplanting and I hope the creators of Outrageous Fortune can bring in some useful royalty income into New Zealand.
   The irony is that this is probably the sort of show TV2 would air here in an effort to beat TV3, which shows the original OF.
   If we are all licensing each other’s shows, then how about a local version of Alarm für Cobra 11 but with a Māori guy and a white guy?

The Guardian makes it sound like Ashes to Ashes’ second episode was a ratings’ disaster. The headline: ‘Almost 1m viewers desert Ashes to Ashes’.
   That makes 6·1 million viewers in the UK, which admittedly makes the headline true, but it was obviously written by a glass-half-empty type.
   A positive headline would have been ‘Six million watch Ashes to Ashes’ because, when you think about it, six million is still a lot of people.
   In fact, six million is more than what the series première of Life on Mars managed in 2007.
   The desired effect may be to get more viewers deserting the new series if they feel things are looking down. And that will be a sad indictment on us as gullible people, watching what we are told is popular.
   On Friday, at lunch at the Villa Margarita, I asked a young Briton from Leeds what was popular in her home country.
   She replied that Heroes, Lost, Desperate Housewives and other American shows were the must-sees in the UK, just as they are here thanks to heavy promotion and good timeslots. New Zealand programmers will follow their American network counterparts, too, scheduling without regard to local tastes. There are exceptions, such as TV3 with Outrageous Fortune, but a visiting American would feel quite at home here (providing one waits several weeks to numerous months for the episodes to catch up to where the US is). The best American (or British or domestic) shows that have found limited audiences do not make it, or get stuck in bad timeslots. Americans themselves are annoyed at the dumbing-down of their networks, so what they are being fed is hardly something they have asked for.
   Does this suggest a willing globalization in television programming, shutting down local industry in favour of a commoditized broadcast? Will we have more singing and dancing competition shows and reality crap shoved down our throats?
   Few want more reality junk but it is cheap to make. Ashes to Ashes isn’t cheap, with all of its sets, photography and music usage. When in doubt about a bad decision, just follow the money.
   As if to show the power of a headline, Ashes to Ashes may still lose viewers for episode three, thanks to a weak outing last week. Life on Mars wasn’t always perfect, either, and had some off-weeks. But the producers of the new show know what our expectations are like, and I had hoped that things would remain or build on the high that Matthew Graham gave us in the pilot. Last week, things had settled too much and Ashes to Ashes felt uncomfortable in its own skin, with Gene Hunt having fewer great lines.
   Six million one hundred thousand still means that enough Britons think that Ashes to Ashes is among the best shows in the UK, and let’s hope the third episode gets us back to the high of the first, or even that of Life on Mars. I’d hate for the newspapers to think their headlines actually affect us when in reality their circulations are dropping, and for the producers pushing cheap reality and quiz fare to think they can win against properly scripted shows.

[Cross-posted] During my last trip to Auckland, I was telling a lot of people this: Ride with the Devil, premières TV2, September 4, 11 p.m.
   This is a new TV show that stars my friend Caleigh Cheung, an occasional correspondent with Lucire. It’s her first major role in a networked drama, I believe, but with this desire of New Zealanders to see themselves on screen in decent locally made dramas, why the heck is this scheduled at 11 p.m.? And what is on in prime time? My House My Castle? Fear Factor?
   I am finally allowed to talk about the show and it is very indicative of modern New Zealand. Directly from the release (please excuse the strange capitalization of the title that seems to vary):

Ride With The Devil, (screening Tuesday nights, 11pm on TV2 from Sep 4th) is based around new-Asian youth Lin Jin (Andy Wong, Shortland Street) and the friendship he forms with bad-boy racer Kurt Williams (Xavier Horan, The Market). Written and directed by Murray Keane (Shortland Street, Outrageous Fortune) and produced by Rachel Jean (The Market) for Isola Productions, Ride with the Devil was made with money from the New Zealand On Air Innovation Initiative.

   From a race point of view, it is the first time that Chinese New Zealanders have been shown as regular Kiwis in principal roles. Even the United States has not managed to give the Chinese people that—the nearest it got was Margaret Cho’s sitcom about being Korean–American. The only other way Korean–Americans can get in to US media with any regularity is when a judge sues them for losing his pants.
   There is some adult material, which does explain the later timeslot, but I understand that even 7 p.m. soaps like Shortland Street shows characters in sex scenes now. So why not 9 p.m. or 9.30 p.m.? Perhaps TVNZ will care to explain, but as an outsider (phew) I can say that it is once again symptomatic of the lazy and unimaginative management that is driving this country on to the rocks. Hang on—that was from another car thing.
   Keane promises verisimilitude and that the stories have been taken from real life. Caleigh had shown me some of the pics taken on set (including her stuntmen—yes, men) and it does show they have the rice burners properly souped up.
   It also sees the return of Shortland Street’s Angela Bloomfield.
   I do hope this gets renewed for a second season even if it sounds like it mixes suburban Auckland with The Fast and the Furious, for it really does seem like a drama that will strike a chord in New Zealand. And my radar with trends is seldom wrong. I just tend to be ahead.
   And if that still doesn’t work in getting viewers, I think the men and some women in this country will be rather impressed with our Cal, who tells me her character is rather chameleon-like. That is an euphemism for sexy.