19 posts tagged “bbc1”

Torchwood finally premières on TV2, 10.30 p.m. tonight. So how many years behind the British are we? And has anyone seen a single promo for this show?

TV Scoop has some hints about the next series of Ashes to Ashes, to début February 2009 on BBC One: ‘We’ve just handed in episode one. It’s set in 1982, so the Falklands have just happened. We’re taking it slightly darker this time …’ Read the rest of the quotation from co-creator Ashley Pharoah at TV Scoop. This does mean the VO at the beginning of the show has to change, as Keeley Hawes currently makes a reference to 1981.
   Whatever the case, it’s going far more smoothly than the US Life on Mars—which the Los Angeles Times reported on back in early June (and this blog followed on June 5). The British press only caught up with the news this past week but it did reveal one extra tidbit that we didn’t already know: Matthew Graham said in The Guardian, ‘At the time we thought [US pilot writer and executive producer David E. Kelley] took what we said on board, but I don’t think he did in the end. I think they should go further away from us; otherwise the danger is you look like an imitation.’

I hope Kiwi Lifers seeing the ninth episode of Life on Mars tonight for the first time enjoyed it. I did watch it again—yes, with the ads—and I didn’t mind the repeat, even if I could have chucked on the DVD. The acting was superb on every count, including that of guest star Marc Warren. Simm and Glenister were brilliant was always. Most of my commentary on the show was on IMDB, so it looks like I didn’t blog as much about the second series as I thought. Those messages, dating back to March 2007, have all disappeared, but I do remember being spooked out by the telephone call at the end from Hyde 2612.
   As to the image at the left, wait till episode five of this series.
   Strangely, the first promo I ever saw for the second series of Life on Mars was around 6.30 p.m.—two hours before the broadcast. If I hadn’t bought the DVD I would have been furious for the late under-promotion. I understand from the VO at the end of the episode that it replaced Without a Trace, and the American show was even advertised in some publications. The decision to air Life on Mars seems to have been a very late one, which explains why there was so little by way of promos.
   If only TV One promoted this prime-time show with the fervour that the BBC had—I even suggested a year ago that the old 1973 NZBC logo should come on before the programme, just as BBC One put on the early-1970s blue globe before its second-series Life on Mars episodes:

   If anyone caught the promo for next week’s episode, Emmy is misspelt by TV One staff as Emme. Let’s hope they catch it before more of this typo airs.

Ian Wylie, one of the journalists championing Ashes to Ashes, points out on his blog that a fan called Wibble refers to the figure on the lower left of the mural in Luigi’s trattoria. Spooky as heck.

 

Ashes to Ashes’ final-episode viewing numbers were down, sadly, though the series average was still high enough for the BBC to commission a second series.
   They are logically down on Life on Mars because viewers didn’t expect there to be any surprises on Alex Drake’s predicament this time round. (Boy, did we get a big surprise.)
   I believe as word of the final filters out—that Alex Drake’s situation is different from Sam Tyler’s and raises the possibility that Gene Hunt and his team are real—the second series might do slightly better, especially its final.
   Reports are coming in that Ashes “only” scored 5·4 million viewers, still a healthy 23 per cent share, though it is down from the 7 million of the première.
   Compared with Life on Mars, this isn’t too bad given that people thought (and the producers allowed us to think) that there was less novelty to the premise.
   Some figures may help put this into perspective:

• Life on Mars’ first series average: 6·8 million
• Life on Mars’ first series final: 7·1 million

but:

• Life on Mars’ second series début: 5·7 million—despite heavy promotion and YouTube trailers
• Life on Mars’ second series, third episode: 4·8 million
• Ashes to Ashes’ first series début: 7 million
• Ashes to Ashes’ first series, second episode: 6·1 million
• Ashes to Ashes’ first series, fifth episode: 6·6 million

   While the final’s viewing numbers are poorer than episodes during the preceding seven weeks, the series has averaged well and now that there is an apparent twist, those who watched Life on Mars for a mindbender might just tune in to the second series of Ashes to Ashes. The BBC made the right call to renew.

Some of the best lines from the whole series were in Ashes to Ashes’ finalé:

Gene: ‘Is it just me, or are you talking in another dimension?’
Gene: ‘I can grow a moustache but I draw a line at a perm.’
Viv: ‘Pickpocket, a drunk, a guy who thinks he’s Sheena Easton. Same old, same old.’
Gene: ‘I’ve seen your rump, and I’ve seen more padding strapped to Ian Botham’s legs.’

and these only work in the context of the show:

Gene: ‘Bye, little lady. Any problems, you just call the Gene Genie.’
Gene: ‘I’m everywhere, Bolly. I was needed and I was there.’
Shaz: ‘I’m good, thanks to you, a guardian angel.’

   Final line was ‘Luigi, get me a beer,’ which takes me back to the same point in Life on Mars (final line, ‘Pub’).
   Well done Ashley Pharoah!

Keeley Hawes gave an excellent performance in the final of Ashes to Ashes last night—best I’ve ever seen her in anything. And the story—wow (spoiler alert).
   I know some fans are dismissing it as “not as good as Life on Mars” but I say the series was redeemed in that one episode, penned by co-creator Ashley Pharoah.
   Because Ashes finally gave a good mindf*** that makes you now wonder if it’s all inside Alex’s head as ‘constructs’—or is it now her memory?
   That finalé, where it was Gene, not Evan, who takes young Alex’s hand, was a total surprise to me. Her Dad turning into the evil Pierrot clown—amazing. It is better than Sam finding out that his Dad could have killed Annie. It also becomes very apparent why the première’s director, Jonny Campbell, was called back to do this episode.
   Geoffrey Palmer’s guest role as the real-life Lord Scarman, the comic turn of Alex in the tank, the two sides of Gene, the two ages of Alex in the police station—all these were brilliant elements in an episode that finally sees all eight outings of Ashes to Ashes come together. Talk about nicely tied together in a story arc.
   I can now say, ‘I told you so,’ when I said that Alex’s predicament is different from Sam Tyler’s and that Gene, Ray and Chris exist in another timeline—which brings back the validity of Soozanne’s theory penned this time last year.
   We were promised more of the ‘Gene Hunt mythology’ from Matthew Graham and Ashley Pharoah—and we got it. Fantastic! Best episode ever.
   The scene is now well set for the second series, which, after this, should do incredibly well.

As predicted (though you hardly needed to be a psychic medium to do so), Ashes to Ashes will get a second series, The Daily Telegraph reported today. It might not get a third, even though the BBC has an option for it: star Philip Glenister was quoted as saying, ‘We’ll start shooting a second series sometime in August. They’ve got an option for up to a third series.
   ‘But you tend to get an instinct about when something should finish. And I certainly wouldn't want to drag it on and on.
   ‘The character’s too good for that. I care about the character too much.’
   I know I am reading too much into this but remember, during Life on Mars, Glenister was also the one who said that they didn’t people to begin thinking, ‘Do you remember when Life on Mars was good?’ That, and Simm’s family commitments, saw that series end after two seasons.
   Meanwhile, in the tabloids:

Any theories from our British friends on Ashes to Ashes? Last year, I was speculating like crazy on Sam Tyler’s predicament, telling people that if you freeze-framed a scene in series two, episode five where Sam touches Ray and sees different characters that DCI Frank Morgan was among them, and how there must be some spiritual reason beyond ‘He’s in a coma.’
   I have watched Ashes but not with the fervour and speculation of the earlier Life on Mars. I do believe Alex Drake’s situation is different, for starters, and that the opening speech that she is living one second in her life in 2008 is not far off the mark.
   But the idea that she has assimilated Sam’s fantasies doesn’t totally ring true to me.
   Last year, some people believed that Gene Hunt et al were spiritual figures or that the Geneverse is Purgatory, while a more complex theory put forward by one netizen, Soozanne, still “fits” (about two lives, one called Sam Tyler and another called Sam Williams and how their accidents forced the time travel).
   I would not be surprised if there is more than creators Matthew Graham and Ashley Pharoah are letting on—especially when they said the new series explores a bit more of the Gene Hunt ‘mythology’.
   Mythology? Reading too much into one word, or is this a clue?
   And if Pharoah has written the series finalé for Thursday with a potential second series in mind, will we actually get closure?
   I don’t think we will, though Alex confronts her parents’ death just as Sam confronted the disappearance of his father at the same point in Life on Mars. Sorry, everyone: I don’t think Alex Drake is going home. The calendar she has in her room, which we have been counting down, won’t mark the total number of days she has to stay in 1981.
   She’s likely to stay stuck in 1981 but finds that no matter what she does, she can’t create a time paradox—either because she is back in 1981 or her logical mind won’t allow it.
   That’s my prediction rather than a theory—largely on the premise that there probably will be a second series as the viewer numbers are healthy and not far off what Life on Mars was doing.

Ashes to Ashes managed 5·8 million viewers (24·9 per cent) in the UK on Thursday night, which is lower than the average of the first series of Life on Mars, but an improvement on where things were for the second series (which dipped to 4·8 million by the third episode). I hope fans will get a second series of Ashes to Ashes: these are still respectable viewer numbers.
   At least with the Brits, the shows I like tend to get renewed. The American shows I like tend to get prematurely cancelled.
   Although I did rather like that cheesy Knight Rider pilot in mid-February, and rumour has it that it might become a regular TV series.