43 posts tagged “1990s”
I managed to get NZ$20 credit thanks to the Real Groovy loyalty card, meaning that I paid a grand total of NZ$10 for these two purchases today:
I already had the first Casino Royale set, but it lacks a director’s commentary and many of the features one would expect for the NZ$35 I originally paid. I refused to buy the collector’s edition originally because I felt Sony would be getting my money twice. But for NZ$5, why not? Well worth it for all the extra stuff, deleted scenes and fascinating documentaries about the connections Ian Fleming had with the Bahamas (which many Bondphiles would not even know).There is even a documentary about the 50-year journey of the novel to this version of the movie, and clips from the first James Bond (with Barry Nelson) and the first time Casino Royale hit the big screen (in 1967, with David Niven—and we do get clips of Barbara Bouchet, Jacqueline Bisset, etc., too).
Given how basic the Quantum of Solace DVD set is, my bet is that Sony will do this again.
Secondly, this CD was on special anyway (NZ$5), and it has a few John Barry tracks, plus one Chet Baker one. It’s not the special album that Barry and Baker put together for this film, but considering that was never released in New Zealand, it’s the next best thing. A bit “1990s” in some respects (the Moby track in particular), but it has been ages since I treated myself to some music.
I’m not sure how my friend Pearl came up with the scenario of Agent Smith from The Matrix (shown at left in one of his many guises—I think this was the scene where he battled Neo in a gay bar, before one of his stilettos broke) battling Joseph Stalin, but I took her lead:
Smith: Mr Stalin.
Stalin: Who are you? How did you get in to the Kremlin?
Smith: It came to me when I tried to classify your species and I realized that you’re not actually mammals.
Stalin: Education is a weapon whose effects depend on who holds it in his hands and at whom it is aimed.
Smith:
You move to an area and you multiply and multiply until every natural
resource is consumed and the only way you can survive is to spread to
another area.
Stalin: Everyone imposes his own system as far as his army can reach.
Smith:
There is another organism on this planet that follows the same pattern.
Do you know what it is? A virus. Human beings are a disease, a cancer
of this planet. You’re a plague and we are the cure.
Stalin: Death is the solution to all problems. No man, no problem.
As
Agent Smith contemplates Stalin’s response, a Soviet Red Guard shoots
Smith in the back with an AK-47. As Smith appears to die, Joseph Stalin
turns into Agent Smith.
Agent Smith 1, Soviet Union 0.
We were chatting about non-US actors adopting American accents on Jaklumen’s blog and I thought of several American actors who do pretty good English accents.
First up, Rénée Zellweger as Bridget Jones:
I quite enjoyed watching two of Mark Frankel’s American TV shows, Kindred: the Embraced and Fortune Hunter. (In New Zealand, Fortune Hunter aired first.) I was shocked to learn yesterday that Mr Frankel was killed in 1996 in a motorcycle accident. Below are clips from the two shows as a tribute to him.
Goodness me, this is the first time I have been able to get to the ‘Compose’ page on Vox since yesterday. What is going on there?
And all I wanted to do was share these with you:
Meanwhile, here’s something more stock:
Anyone remember this 1996 series? Bodyguards only lasted seven episodes, but I thought it was brilliant. Christopher Young did a great job directing the pilot, and Louise Lombard gave a fantastic performance as Liz Shaw, shaking off her Mouse of Eliott image. The scripts and direction were far superior to the later CI5: the New Professionals, which was meant to be a follow-up to the much-loved ’70s show The Professionals. Bodyguards had more of a Professionals flavour than its sequel, especially with the gruff boss, Cmdr McIntyre, wonderfully played by John Shrapnel, having shades of Gordon Jackson’s George Cowley. Sean Pertwee deserves a mention, too, as a new officer partnered with Shaw.
I remember at the time there was quite a lot of excitement around this car—then as the years went by, we realized it was another boring bread-and-butter bubble. All the Ford Telstars made it on to Autocade today, and here they are. This is, as far as I can tell, more accurate than the claptrap on Wikipedia.
Ford Telstar (GC/AR/AS). 1982–7 (prod. unknown). 4- and 5-door sedan. F/F, 1587, 1789, 1998 cm³ (4 cyl. OHC). Mazda Capella (GC) with new front and rear ends and Ford badging. Mechanically the same. No coupé. Five-door badged TX5. Big technological advance on Cortina, which it replaced in Australia and New Zealand, though in the latter market, a station wagon variant was missed. Popular and a welcome all-rounder in the mid-sized market at the time, and Ford’s main entrant through most of the Asia-Pacific, but more seemed to be affectionate toward its predecessor. Sold at Autorama dealers in Japan.
Ford Telstar (GD/AT/AV). 1987–96 (prod. unknown). 4- and 5-door sedan, 5-door wagon. F/F, F/A, 1587, 1789, 1998, 2184 cm³ petrol, 1998 cm³ diesel (4 cyl. OHC), 1789, 1998 cm³ (4 cyl. DOHC). Mk II Telstar, introduced alongside Mazda Capella (GD), and with a stronger resemblance to the donor vehicle. Station wagon for the first time from 1988, but sold only in Japan and New Zealand; sedans appeared more mature, larger. Five-door still called TX5. DOHC and four-wheel-drive models for this generation, as well as a larger 2·2-litre unit. Improved on its predecessor in terms of quality and refinement, but more of a domestic appliance. Station wagon continued as part of closely related GV series after 1991, while sedans went to GE platform that year; GD wagons were still assembled in New Zealand into the mid-1990s.
Ford Telstar (GV). 1992–7 (prod. unknown). 5-door wagon. F/F, F/A, 1789, 1998 cm³ petrol, 1998 cm³ diesel (4 cyl. OHC). Instead of coming up with an all-new wagon for the GE-series Capella and Telstar, Mazda put the GD through an extensive facelift, and sold the result alongside GE. The effect was somewhat incongruous—bumpers and plastic trim looked like afterthoughts and blended poorly with the original shape—but GV kept the company in the mid-sized wagon market in Japan for much of the 1990s, when it faced financial difficulties. Mid-term revisions in 1994.
Ford Telstar (GE/AX/AY). 1991–7 (prod. unknown). F/F, F/A, 1789, 1991 cm³ (4 cyl. DOHC), 2497 cm³ (V6 DOHC). Another variation on the Mazda Capella (GE)—Mk III for want of a better term—as before with relatively few changes from original Japanese model. Overall a bread-and-butter bubble with typical rounded styling of the late 1980s–early 1990s. Telstar II launched in Japan in 1994 and overlapped standard GE run. GE built also in South Africa by Samcor, 2·0 and 2·5 only.
Ford Telstar II (CG). 1994–7 (prod. unknown). 4-door sedan. F/F, 1789, 1991 cm³ (4 cyl. DOHC). Odd amalgam of rounded centre section of GE-series Telstar with formal front and rear ends favoured by traditional Japanese sedan buyers. Mechanically a GE four-cylinder. Same sheetmetal as contemporary Capella. Introduced in Japan after Mazda’s multi-brand strategy collapsed, and front end meant to ape Mazda Sentia; Ford simply took what was available for the Japanese domestic market and badged it a Telstar.
Ford Telstar (GF/GW). 1997–2001 (prod. unknown). 4-door sedan, 5-door wagon. F/F, F/A, 1840, 1991 cm³ (4 cyl. DOHC), 1998 cm³ diesel (4 cyl. OHC), 2497 cm³ (V6 DOHC). Final Telstar, but very conventional. Mazda Capella (GF) twin was developed as a reaction to the company’s overambitiousness of the late 1980s and early 1990s, and resulted in a very plain car. Telstar had four-door sedan and wagon; no five-door. Diesel from 1998. Sold in Japan, and not widely exported as Ford shifted to promoting the Mondeo and Contour in most markets.
During a quiet moment at work, I put these on. A small tribute to Dennis Waterman, his starring roles, and his singing the ‘feem toon’.
Did any Kiwi know that Lucy Lawless spoke German? Here is a segment on YouTube, in which I imagine Ms Lawless and her 1990s’ TV series, Xena, Warrior Princess, were profiled on German television. So she’s no Sandra Bullock, but if you are outside Nelson, Deutsch is pretty hard to master.
I know Qantas has made more of these but I still love the 1999 version of its TVC. The arrangement is the best of the lot, in my opinion, never mind the butchering of some of Peter Allen’s lyrics (I might not be an Aussie, but I always thought it was ‘From New York to Rio and old London town,’ not Rome).





