US Life on Mars gets a thumbs-up

Jason O’Mara as Sam Tyler, with Chevrolet Chevelle SS

US Life on Mars got off to a good start. The script was neatly changed (though I wonder about the whole Colin Raimes kid scene at the end replacing the Sam on the rooftop one), and it still worked. Jason O’Mara gives a far, far better performance than he did in the first attempt, and there were good edits to get the programme down to the 42-minute broadcast time allowed by ABC.
   He has allowed himself to be more human, less beefcake, and while John Simm is hard to beat, O’Mara has come far closer with an honest portrayal of Sam Tyler.
   The relationship between Sam and Maya in the US version is softer, less distant, compared with the original—which gives the American Sam a greater motive to want to get back from 1973.
   Harvey Keitel’s Gene Hunt is not as present as Philip Glenister’s was in the original, but he has more screen presence than the first American Gene, Colm Meaney.
   Gretchen Mol shines and gives a deeper portrayal than the pilot’s Rachelle Lefèvre.
   American Ray and Chris (Michael Imperioli and Jonathan Murphy) had relatively small roles, as in the original.
   The set design gave 1973 the muted, dark tones that most associate with that period—again, a great improvement on the Kelley pilot.
   And the scene with the World Trade Center in 1973 was one that trumped the Manchester original. Sam, in the UK, sees a billboard for a motorway that hasn’t been built; here, he sees the Twin Towers.
   In all, the Americans have done well and it should silence many in the UK who were prepared for the worst.
   It is a far better adaptation than the British attempts at Who’s the Boss?, Married with Children, and Outrageous Fortune, and, I would guess, Bewitched and Law & Order.
   And it is a far better adaptation than many British shows that have been altered by the Americans, such as Fawlty Towers and Steptoe and Son.
   There were a few changes even to the US preview scenes, such as the ‘throwdown’ line (now uttered by Sam, not Gene). But it hung together very well and as the American producers wish to take a different direction with the series’ mythology, it allows for that, too.
   Nelson’s role has been reduced dramatically, plus he is now played by a white actor.
   Some scenes were eeriely familiar, even with the songs chosen (‘Life on Mars’, obviously, but ‘Baba O’Riley’, filmed as a mirror image to allow for the American traffic going the opposite way), which were identical to the UK choices. We also did not have an Americanized version of Gene’s ‘Anything happens to this motor’ line.
   While the original is still superior, this was a solidly made first episode.
   Unlike the original, I won’t be playing this over and over again, but I will be happy to watch it if it aired here.
   Congratulations to ABC, Appelbaum, Nemec and Rosenberg, and the rest of the folks associated with the remake.